As artists used in the period, and many

As basic as possible, was the main
goal artists used in the period, and many of the household and bought-able
items in stores were used to represent a certain story and make it as provoking
as possible. This technique was called the usage of ready-made items that were
available to everyone, but artist of Dada had a way of creating a certain
message that these basic materials would represent. The movement had many
famous artists like Hugo Ball or Hans Arp, among many others that created and
made Dada possible in many aspects of art itself, and many art meanings of
creation. Among many other movements, this one created a “pollution” of making
art as banal as possible, and not making it appealing in a sense of creating it
as beautiful as it can be, but using anything you have a reach on, to create a
certain story that will have much effect on the viewer and make him think about
the art piece, and this had ground breaking effects on the future movements
that came. A period like this one created a new way for other upcoming periods
that came by, and a lot of them took many influential key factors that created
a whole new meaning of art itself, and carved a path for future generations of
artists that came.

Dada’s true weapons
of choice from towards the art pieces and skills they used in their war with
the establishments were mostly provocation, and they did it perfectly. They
attacked the true and traditional artistic values with each of their own irrational
attitudes and provoked a lot of conservative at that time, and complacency with
various different outrageous and “crazy” statements and actions. They also then
have launched a full-scale true and hard assault on the art world which they
saw as a true part of the system. It was certainly considered equally culpable
and consequently had to be toppled. Dada has truly for ages questioned the true
artistic value of all art, of what it truly stands for and whether its
existence was simply an indulgence of that times bourgeoisie, and many other cultural
values of the period they established the movement.

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The great and the strangely true paradox of Dada is that they claimed to
be anti-art, yet here we are discussing their artworks, and there are many
reasons for that also. Even their most negative attacks that were caused
towards the establishments of the artistic values resulted in positive artworks,
which was truly something new for the movement and that opened a door to future
developments in 20th century art, and we cannot disregard the true influence of
Dadaism towards the modern age art movements which was truly profound and huge
for the future artists that followed the rules of Dadaism and implemented them
to their own art pieces and art works.

The effect of
Dada was to create a totally new and greater climate in which art was alive to
the moment and not be paralyzed by the traditions and restrictions of established
values, that earlier art movements established but they also made them expand
in a much bigger way.

After the war, the face of the
true artists the represented Dada began to change. Many of the Dadaists who
were exiles in the time of the second world war in Zurich, they began to drift
back to their home countries and found that life was quite different there, because
the true values of what they established in that period and what they achieved,
was totally different in other countries and cities. As they relocated to
Berlin, Cologne, Hanover and some as far as New York, Dada developed an
international reputation, and they truly expanded the movement throughout the
world, but each of these venues had its own distinctive style inspired by the
artists who settled there, and that was truly a perfect resemblance of what Dadaism
meant to artists who have helped its establishment.

They were also experimental,
provocatively re-imagining what art and could truly be consisted of and art
making could be. Using unorthodox materials and
chance-based procedures, they infused their work with spontaneity and
irreverence. Wielding scissors and glue, Dada artists innovated with various
different usages of art techniques one of the most famous among them was the
usages of  collage and photomontage. Still others
explored games, experimental theater, and performance. The key central figure
of the movement, Marcel Duchamp, declared common, manufactured and basic goods
to be “readymade” artworks, radically
challenging the true artistic values that the notion of a work of art as
something beautiful made by a technically skilled artist, or a beginner of sort.

One of the reasons Dadaist artists
wanted to make art a ridicules term was because they truly believed that anything
could be made to something artistic and that all and everything around us has
an artistic value no matter what it stands for and what its true meaning
represents. They wanted to make the world beautiful in their own way, but usually
did that in a much wrongful way and that was their negative side for me, because
they could have made something much more than it truly stands for today.